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TEMPS VÉCU
VINCENT TORDJMAN
Clock made of 2 white lacquered metal plates,
between which there is a LED ribbon that sheds
an indirect light. When it is off, only the hands
located at the centre of the small circle are visible.
When it is on, the shadow on the bars placed at 5
min intervals transforms the hour beams into a
prism.
ACCESSORIES
TEMPS LIBRE
KFLORIAN SCHMIDA
Wall clock in black lacquered laser-cut steel which
projects a unique shadow onto nearby surfaces.
PLEINE LUNE
STUDIO DREIMANN
Clock in black split leather. The position of the
hours and minutes is marked by white thread
stitching.
PONCTUEL
FRÉDÉRIC SAULOU
Wall clock made of linseed-oiled natural
violet-colored slate with a sanded finish between
grooves. The hands are black and gold-colored.
ROPE
Designer Barbara Kuehne-Thompson literally and
figuratively interweaves Southeast Asian craft and
contemporary design in this medium basket, a soft
cylindrical vessel of woven PET cord in green or
argile.
CHARMOTTE
LEE WEST
Natural materials and soft lines and colors are the
calling cards of the Charmotte three woven wicker
baskets. Soft storage by Lee West doubles as a
warm design accent.
RAM
B. KUEHNE-THOMPSON
A longtime resident of Vietnam, Barbara
Kuehne-Thompson has translated the region's
vernacular design into a handsome 17
¾
-inch-tall
vessel with a handle. Shaped like the head of a
matchstick, the woven basket comes in
copper-colored rattan.
ALONG
These woven rattan baskets that have been in
the collection for several years are now available
in the very trendy, new stone grey color as well
as the traditional black. The quality of basketwork
displayed by this product is quite remarkable.
MIRROR CLOCK
MARTIN HIRTH
Clock/mirror with satin black lacquered steel
support, mirrored glass, and hands in black
lacquered aluminum.
ABBESSE
NUMÉRO111
Designed by Numéro 111, this candle holder is
composed of two pieces that form a corner: a
matte marble base, which holds five candles of
different sizes, and a matte gray epoxy lacquered
steel panel that wraps around the back. Subtly
curved chamfers of each corner soften the form’s
appearance, creating a graphic effect.